The moment we tend to point out
past times actresses, Rekha's name pops up instantly attributable to her eternal
beauty, super hit films and a few howling melodious songs. several of her up to
date actresses have aged out, however Rekha still manages to line your eyeballs
rolling. Rekha started her film career at a really early age wherever she
looked fat, dark and not that charming. Gradually, she started growing up ANd
groomed herself as an thespian and
conjointly, started wanting lovely with every passing year. it had been when
the late 80's era, once she self claimed herself to be the quantity one
feminine adept and began operating majorly in feminine minded or feminine
centrical films. Though, her last booming film was 'Phool curse Angaarey' and
afterward, her films within the lead role fared unhealthy to worse at the box
workplace. But, when each few years she unbroken trying and failing miserably.
On the opposite hand, the films like 'Koi Mil Gaya', 'Krissh', 'Bhoot' and a
number of additional within which she compete the character roles were
widespread. Her last 2 free films were an excellent flop at the box workplace
and were free at a spot of 4 years, and currently once more when the gap of 4
years she is back within the lead role, together with her latest film 'Super
Nani'. therefore let's decide, whether or not 'Super Nani' can finally offer
Rekha her abundant required success at the box workplace, or perhaps this pic,
can sink while not trace, similar to her previous couple of films.
'Super Nani' could be a story of
AN older aged lady of the house Bharti Bhatia (Rekha), World Health
Organization throughout her life simply gave priority and targeting the lives
of her husband (Randhir Kapoor) and their youngsters. Despite of her exertions
and commitment towards her family and residential, she had no respect or
appreciation from her members of the family. She realizes her true worth only
her grandchild Mann (Sharman Joshi) comes back from ny and helps her call at
setting a modeling career for her. This upsets the members of the family and
what happens next is what the complete film is all concerning.
The story is predicated on the
Gujarati play 'Baa Ae Maari Boundary' and conjointly has immense similarities
with Nutan starrer film 'Mayuri'. The thought was bright placed within the play
and also the mentioned film, sadly here the complete presentation is super loud
(literally yelling) and on the lines of Ekta Kapoor style of series. each actor
related to the film (including the maid servant) gets sensible screen house and
loud dramatic dialogues. The logic and conviction issue is extremely missing
within the film. There square measure few amusive scenes like Sharman creating
Rekha imitate, dance and sing songs from films like Mughal-E-Azam, Mother
India, Guide and few additional. Also, the ads within which Rekha seems, makes
her look super beautiful. however besides these minor sensible points, the pic
is jam-packed with negative points. to start with, weak playscript and tacky
dialogues. There square measure back to back over stretched and boring scenes
that dilutes the flow of the film. there's a decent quantity of preaching
related to the film on topics like family bonding, live-in relationships and
lots of additional. The dialogues looks like a hammer hit your head and also
the loud colors and dialogue delivery can place Priyadarshan's films to shame.
The love track, dramatic track and even the humorous track is out-of-date and fails to
attractiveness its urban audience. There square measure few scenes like Sharman
testing his love that has barefacedly been upraised from the 90's film 'Afsana
Pyaar Ka'. the subject of girls direction goes wasted and may are bestowed
within the format of films like "English Vinglish".
Music by Harshit Saxena and
Sanjeev Darshan isn't up to the mark as that of Indra Kumar's films. 'Prabhu
Meri' is melodious and encompasses a catchy tune. 'Radha' reminds you of 'Mera
Piya Ghar Aaya'. 'Nani Maa' by Sonu Nigam is emotional. 'Maayeru' was unwanted.
Director Indra Kumar tries to
create a feminine version of 'Baghban' and despite of fine thought fails to
even equal to the amount of 'Baghban'. Indra Kumar goes all opposite of his
last directed film 'Grand Masti', inspite of the film being a family drama he
still portrays ladies in an exceedingly degrading manner and tries to hide up
the difficulty by talking concerning ladies direction. He ought to have
directed the film in an exceedingly up to date manner and not in his 90's form
of direction attributable to that the pic feels like a authorised version of
Ekta Kapoor styles of tv serial.
Rekha appearance beautiful and
manages to stay you indulged during this super stretched, instructive and boring film. She could be a bit loud in
some scenes, however manages to shine within the dramatic ones. Sharman Joshi
irritates you to the fullest, with the assistance of his unhealthy Hindi.
Randhir Kapoor is additionally loud and fails to impress. Shweta Kumar and
Anupam Kher square measure wasted. Rajesh Kumar is nice in his role.
Dum? Well, if you're continue
Rekha fan then simply go and watch the pic for her evergreen appearance beside
a decent message associated. But, the complete message is delineate in an
exceedingly|a really|a awfully}} very loud and over dramatic manner with a very
weak playscript connected thereto. The pic would possibly get a good audience
within the rural areas of our country and can be liked on the tiny screen, however as so much as
others square measure concern the pic gave the impression of a tale of a
continual beauty & the dramatic beasts related to it.
